Re: Bach, Betoven, Debussy & Beats

Bil (bil2@aol.com)
Fri, 18 Jul 97 10:30:27 -0500


>don't know this track exactly, but somehow feel liking having heard
>it... and the description of the flute line seems to match... is'nt it
>"prelude a l'apres midi d'un faune", by Debussy? - by the way, the
>french school of classical music around the end of last
>century/beginning of this one (Debussy, Faure, Ravel, Satie) is often
>quoted as an influence by jazzmen, and i would'nt be surprised that
>artists involved in the music discussed on this list share it.
>especially since they should learn from an harmonic point of view, but
>as well for the texture of sounds, the "consistence" (sorry, my poor
>english...) of the sound (check out as well Gustav Mahler as well for
>that).

There's an excellent album of jazz artists' interpretations of French
classics called "The French Collection" (EMI). Artists are Eddie Daniels,
Kevin Eubanks, Fred Hersch, James Newton, and Toots Thielemans. They do
works by Debussy, Ravel, Faure, Poulenc, and Satie.

>anyway anyway, as already cited, deodato has a few things using
>classical themes, zarathustra, and also if i remember well something
>from Stravinski's spring. and on the last mojo dancefloor jazz comp
>there's the rendition of the bolero by Ravel.

Deodato's "Prelude" album (CBS) contains Richard Strauss' "Also Sprach
Zarathustra" and Debussy's "Prelude to the Afternoon of a Faun"--arranged
by Eumir Deodato, of course. Hubert Laws does a flute solo on "Prelude"
and musicians include Ron Carter, John Tropea, Stanley Clark, Jay
Berliner, Billy Cobham, Airto, and Ray Barretto.

Question: Are there other Deodato albums on CD format? Titles and labels?

bil
bdwyer@grove.ufl.edu