Re: Tinitus Alert! (was Re: jill scott alert!)

From: Jason Martin (suenomartino@bigpond.com)
Date: Sun Sep 24 2000 - 14:28:59 MET DST

  • Next message: Nathaniel Rahav: "Re: "Tourist" by St. Germain"

    > Though the quality of the performed and composed music
    > back then is excellent, I cringe most of the time when
    > DJs spin rare groove in clubs because of the EXTREMELY
    > LOUD UPPER MIDRANGE. The human ear's audible range is
    > most sensitive to midrange sounds, which is why guitars
    > and vocals always sound loud live and in a mix when
    > things like bass frequencies, which are in the lower
    > limits of human hearing range, always have to be
    > boosted.
    >
    > Older records are EQ'ed differently than today's
    > records - which exhibit audio frequencies (read: bass,
    > but some high end also) that were generally nonexistent
    > back in the day.

    the New York dj's and producers cottoned on to this sound
    dynamics problem in the early 70's, and it ties in with the birth of
    the 12" EP.

    In the 60's and early 70''s dj's played only 7" which were produced
    for radio and low volume play - hence loud mid range to sound
    decent over radio. You can only imagine how hideous this would
    have sounded over loud club systems then (and unfortunately now
    with the way some dj's play records)...

    Nile and Bernard from Chic were the first to bring in sub-bass
    frequencies by compressing their sound differently to the norm of
    the day - "Good Times" had a ground breaking sound which got
    copied and copied by everyone - even Queen.

    Tom Moulton was a (NYC disco) remixer that also had a lot to do
    with changing the dynamics of recorded sound to suit large club
    systems and he is also the man credited with bringing in the 12"
    as a medium for dance music (among other things)

    check: http://www.geocities.com/jahsonic/Disco.html

    peace
    jm



    This archive was generated by hypermail 2b29 : Sun Sep 24 2000 - 14:50:14 MET DST