Dangerous Crossroads: Popular Music, Postmodernism and the Politics of Place


caleb (cat@alumni.princeton.edu)
Fri, 12 Nov 1999 20:59:56 -0800



just fyi, peeps. c.
http://www.versobooks.com/books/klm/lipsitz_crossroads.shtml

Dangerous Crossroads: Popular Music, Postmodernism and the Politics of Place

 

 

DANGEROUS CROSSROADS
Popular Music, Postmodernism and
the Politics of Place

GEORGE LIPSITZ

Publication
October 1994; Paper: May 1997

Haymarket Series

320 pages
10 b/w photos

Cloth
1 85984 935 0
US$35.000

Paper
1 85984 035 3
£11.00 / US$19.00

 

   


 
 

An intelligent survey of world music's inter-cultural fusions

In a wild tour across the globe, touching down in Havana, Port-au-Prince, Kingston, Budapest, Paris, London, New York, Los Angeles and Tokyo, George Lipsitz explores the fusion of immigrant and mainstream cultures displayed in world music, including rap, jazz, reggae, zouk, bhangra, juju, swamp pop, and Puerto Rican bugalu and Chicago punk.

"This astonishing book deals in absorbing detail with the multiplying hybrids now loosely referred to as world music." -- Jazz Times

"Dangerous Crossroads presents a plea: for connection, empathy, and a kinship like none we've ever heard before." -- L.A. Weekly

George Lipsitz is Professor of Ethnic Studies at the University of California, San Diego.

 

 

 

 



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