RE: Subject: Re: [acid-jazz] outing

From: cnwill42@netscape.net
Date: Thu Dec 19 2002 - 18:47:39 CET

  • Next message: brkn bt: "[acid-jazz] Harp & Simes- live "MMM Radio" update!"

    You know, I've been waiting a long time for this subject (industrial) to come up. I've been desperately seeking a CD by Caberet Voltaire (mentioned in this thread) "Code". Long out of print. If anyone has a copy that they are willing to part with, please e-mail me privately. I will pay a fair price for it.

    Happy Holidays Y'all,

    Charles

    Lynne d Johnson <lynnedjohnson@earthlink.net> wrote:

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    >Message: 22
    >  Date: Wed, 18 Dec 2002 22:08:27 -0500
    >  From: Lynne d Johnson <lynnedjohnson@earthlink.net>
    >Subject: Re: [acid-jazz] outing
    >
    >
    >
    >Thank you all for the education.
    >
    >Peace,
    >Lynne
    >
    >
    >From: "Stimp" <stimp@aei.ca>
    >Date: Mon, 16 Dec 2002 03:21:14 -0500
    >To: "BRIAN" <bbaltin@earthlink.net>, "David Bassin" <bassyd@pacbell.net>,
    >"Acid Jazz ml - UCSD" <acid-jazz@ucsd.edu>
    >Subject: Re: [acid-jazz] outing
    >
    >
    >   The term "industrial", as far as I know, was termed by Throbbing
    >Gristle, but I can't rememember how the term was coined.  I have a feeling
    >it had something to do with "Industrial Records", the record label which
    >they launched in order to release their sonic collages and experiments.
    >Personally, I'd add bands like Skinny Puppy, Suicide, Ministry, Revolting
    >Cocks, Can, Kraftwerk etc... to the list of industrial pioneers.  Check out
    >www.allmusic.com , it's all there.
    >
    >  Many seem to pick Throbbing Gristle as the "true" pioneers of the modern
    >industrial sound (I'd argue that point), probably more because they coined
    >the term "industrial music" than for any other legitimate reason.  In any
    >case, if this is the case and we were to take what they were doing in the
    >mid-70's, I'd go back MUCH further to contemporary Classical composers like
    >Stockhausen, Varese, Xenakis, Messaien, Boulez, Nono, Morricone's Grupo
    >Improvisazione, etc....  As far as I'm concerned, any true fan of electronic
    >music (i.e. not the trendsetter types concerned with filling their "cool"
    >quotient) should be at least somewhat familiar with early electronic music
    >pioneers like the ones mentioned above.  Listening to early electronic tape
    >music and understanding the history will only make you further appreciate
    >the roots of what the new guys are laying down, and how far electronic music
    >has come.
    >
    >  I mean, there's nothing more industrial sounding that Iannis Xenakis'
    >"Persepolis", and that was recorded in 1971!  Give it a listen, it's well
    >worth it.  Asphodel records rereleased this excellent recording on cd just
    >this year, and it's definitely going to be making my albums of the year
    >list.  They actually packaged the original 1971 performance as a double cd.
    >The second cd consists of remixes of "Persepolis" done by artists like
    >Merzbow, Otomo Yoshihide, Zbigniew Karkowski, Francisco Lopez, and others.
    >Personally, I find the remix cd rather weak, but the Xenakis performance is
    >essential listening, especially for fans of Industrial music et.al.
    >
    >Stimp
    >----- Original Message -----
    >From: "BRIAN" <bbaltin@earthlink.net>
    >To: "David Bassin" <bassyd@pacbell.net>; "Acid Jazz ml - UCSD"
    ><acid-jazz@ucsd.edu>
    >Sent: Monday, December 16, 2002 2:12 AM
    >Subject: Re: [acid-jazz] outing
    >
    >
    >> Yes, the term industrial was bastardized to connote only industrial disco
    >> around 86 with Wax Trax's success, but before that it was the experimental
    >> (and, yes, occasionally harsh) electronics of groups like Throbbing
    >Gristle,
    >> SPK, the early Cabaret Voltaire, Ludus, 23 Skidoo, This Heat, and
    >countless
    >> other groups.
    >>     That said, plenty of the industrial groups were doing completely
    >> danceable music that wasn't about nondescript syncopated beats at all, but
    >> very organic "white boy funk." Groups like 23 Skidoo, Ludus, the Pop
    >Group,
    >> Rip Rig and Panic, et. al. , were at least as responsible for acid jazz
    >and
    >> its offshoots as Style Council, Working Week, and all the others that
    >people
    >> automatically mention.
    >>
    >> Brian Baltin
    >>
    >> On 12/15/02 10:19 PM, "David Bassin" <bassyd@pacbell.net> wrote:
    >>
    >> >> Oh, if we want to talk industrial...shouldn't we go back to Nitzer Ebb,
    >> >> Bronski Beat? Or does it go back even further?
    >> >
    >> >
    >> > Bronski Beat???? Jimmy Somerville and Co. were the furthest thing
    >> > from industrial music you could name. They were pure disco in the
    >> > '80s sense of the word. As for Nitzer Ebb, they were
    >> > industrial-lite.....
    >> >
    >> > DB
    >> >
    >>
    >>
    >
    >
    >
    >
    >
    >
    >[This message contained attachments]
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    >
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    ><HTML>
    ><HEAD>
    ><TITLE>Subject: Re: [acid-jazz] outing</TITLE>
    ></HEAD>
    ><BODY>
    ><BR>
    >Message: 22<BR>
    >   Date: Wed, 18 Dec 2002 22:08:27 -0500<BR>
    >   From: Lynne d Johnson <<FONT COLOR=3D"#0000FF"><U>lynnedjohns=
    >on@earthlink.net</U></FONT>><BR>
    >Subject: Re: [acid-jazz] outing<BR>
    ><BR>
    ><BR>
    ><BR>
    >Thank you all for the education.<BR>
    ><BR>
    >Peace,<BR>
    >Lynne<BR>
    ><BR>
    ><BR>
    >From: &quot;Stimp&quot; <<FONT COLOR=3D"#0000FF"><U>stimp@aei.ca</U></FONT=
    >>><BR>
    >Date: Mon, 16 Dec 2002 03:21:14 -0500<BR>
    >To: &quot;BRIAN&quot; <<FONT COLOR=3D"#0000FF"><U>bbaltin@earthlink.net</U=
    >></FONT>>, &quot;David Bassin&quot; <<FONT COLOR=3D"#0000FF"><U>bassyd@p=
    >acbell.net</U></FONT>>,<BR>
    >&quot;Acid Jazz ml - UCSD&quot; <<FONT COLOR=3D"#0000FF"><U>acid-jazz@ucsd=
    >.edu</U></FONT>><BR>
    >Subject: Re: [acid-jazz] outing<BR>
    ><BR>
    ><BR>
    >    The term &quot;industrial&quot;, as far as I know, was t=
    >ermed by Throbbing<BR>
    >Gristle, but I can't rememember how the term was coined.  I have a fee=
    >ling<BR>
    >it had something to do with &quot;Industrial Records&quot;, the record labe=
    >l which<BR>
    >they launched in order to release their sonic collages and experiments.<BR>
    >Personally, I'd add bands like Skinny Puppy, Suicide, Ministry, Revolting<B=
    >R>
    >Cocks, Can, Kraftwerk etc... to the list of industrial pioneers.  Chec=
    >k out<BR>
    >www.allmusic.com , it's all there.<BR>
    ><BR>
    >   Many seem to pick Throbbing Gristle as the &quot;true&quot; pi=
    >oneers of the modern<BR>
    >industrial sound (I'd argue that point), probably more because they coined<=
    >BR>
    >the term &quot;industrial music&quot; than for any other legitimate reason.=
    >  In any<BR>
    >case, if this is the case and we were to take what they were doing in the<B=
    >R>
    >mid-70's, I'd go back MUCH further to contemporary Classical composers like=
    ><BR>
    >Stockhausen, Varese, Xenakis, Messaien, Boulez, Nono, Morricone's Grupo<BR>
    >Improvisazione, etc....  As far as I'm concerned, any true fan of elec=
    >tronic<BR>
    >music (i.e. not the trendsetter types concerned with filling their &quot;co=
    >ol&quot;<BR>
    >quotient) should be at least somewhat familiar with early electronic music<=
    >BR>
    >pioneers like the ones mentioned above.  Listening to early electronic=
    > tape<BR>
    >music and understanding the history will only make you further appreciate<B=
    >R>
    >the roots of what the new guys are laying down, and how far electronic musi=
    >c<BR>
    >has come.<BR>
    ><BR>
    >   I mean, there's nothing more industrial sounding that Iannis X=
    >enakis'<BR>
    >&quot;Persepolis&quot;, and that was recorded in 1971!  Give it a list=
    >en, it's well<BR>
    >worth it.  Asphodel records rereleased this excellent recording on cd =
    >just<BR>
    >this year, and it's definitely going to be making my albums of the year<BR>
    >list.  They actually packaged the original 1971 performance as a doubl=
    >e cd.<BR>
    >The second cd consists of remixes of &quot;Persepolis&quot; done by artists=
    > like<BR>
    >Merzbow, Otomo Yoshihide, Zbigniew Karkowski, Francisco Lopez, and others.<=
    >BR>
    >Personally, I find the remix cd rather weak, but the Xenakis performance is=
    ><BR>
    >essential listening, especially for fans of Industrial music et.al.<BR>
    ><BR>
    >Stimp<BR>
    >----- Original Message -----<BR>
    >From: &quot;BRIAN&quot; <<FONT COLOR=3D"#0000FF"><U>bbaltin@earthlink.net<=
    >/U></FONT>><BR>
    >To: &quot;David Bassin&quot; <<FONT COLOR=3D"#0000FF"><U>bassyd@pacbell.ne=
    >t</U></FONT>>; &quot;Acid Jazz ml - UCSD&quot;<BR>
    ><<FONT COLOR=3D"#0000FF"><U>acid-jazz@ucsd.edu</U></FONT>><BR>
    >Sent: Monday, December 16, 2002 2:12 AM<BR>
    >Subject: Re: [acid-jazz] outing<BR>
    ><BR>
    ><BR>
    >> Yes, the term industrial was bastardized to connote only industrial di=
    >sco<BR>
    >> around 86 with Wax Trax's success, but before that it was the experime=
    >ntal<BR>
    >> (and, yes, occasionally harsh) electronics of groups like Throbbing<BR=
    >>
    >Gristle,<BR>
    >> SPK, the early Cabaret Voltaire, Ludus, 23 Skidoo, This Heat, and<BR>
    >countless<BR>
    >> other groups.<BR>
    >>     That said, plenty of the industrial groups wer=
    >e doing completely<BR>
    >> danceable music that wasn't about nondescript syncopated beats at all,=
    > but<BR>
    >> very organic &quot;white boy funk.&quot; Groups like 23 Skidoo, Ludus,=
    > the Pop<BR>
    >Group,<BR>
    >> Rip Rig and Panic, et. al. , were at least as responsible for acid jaz=
    >z<BR>
    >and<BR>
    >> its offshoots as Style Council, Working Week, and all the others that<=
    >BR>
    >people<BR>
    >> automatically mention.<BR>
    >><BR>
    >> Brian Baltin<BR>
    >><BR>
    >> On 12/15/02 10:19 PM, &quot;David Bassin&quot; <<FONT COLOR=3D"#0000F=
    >F"><U>bassyd@pacbell.net</U></FONT>> wrote:<BR>
    >><BR>
    >> >> Oh, if we want to talk industrial...shouldn't we go back to N=
    >itzer Ebb,<BR>
    >> >> Bronski Beat? Or does it go back even further?<BR>
    >> ><BR>
    >> ><BR>
    >> > Bronski Beat???? Jimmy Somerville and Co. were the furthest thing=
    ><BR>
    >> > from industrial music you could name. They were pure disco in the=
    ><BR>
    >> > '80s sense of the word. As for Nitzer Ebb, they were<BR>
    >> > industrial-lite.....<BR>
    >> ><BR>
    >> > DB<BR>
    >> ><BR>
    >><BR>
    >><BR>
    ><BR>
    ><BR>
    ><BR>
    ><BR>
    ><BR>
    ><BR>
    >[This message contained attachments]<BR>
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