[acid-jazz] Norah Jones

From: David Luckin (David_Luckin_at_WJCT.pbs.org)
Date: 2003-06-13 13:05:14

  • Next message: Christopher Grass: "Re: [acid-jazz] Norah Jones"

    Last night I saw Norah... If you get the chance you should too. A truly unpretentious artist who is not afraid to let her
    bandmates step into the spotlight. Why people have called her a Jazz singer I'm not sure. It is abundantly obvious she can sing
    any style with perfect ease. Here is how the local music critic saw/heard the show.

    Norah Jones plays the Florida Theatre
    By Nick Marino
    Times-Union music writer
    I guess I should probably find some reason to dislike Norah Jones -- she's too famous or she's too musically conservative, or
    she's too musically conservative to be so famous. Something like that.
    The truth is, though, I've adored young Norah ever since I stumbled across her playing in a ridiculously small venue a year and
    a half ago, just a few months before she exploded into the unlikeliest pop supernova since that ragtag group of hillbillies on
    the O Brother soundtrack.
    Jones had me from hello at that first show, her steamy voice and old-fashioned repertoire somehow transporting me 60 years
    back, to a time I never even lived through, when Billie Holiday was teaching America how to be sensual and vulnerable in a
    single breath.
    Remarkably, Jones hasn't lost any of that power during her dizzying, Grammy-winning ride to stardom. Thursday night's sold-out
    show at the Florida Theatre felt like an intimate club gig by a girlish up-and-comer who's just tickled that anyone at all has
    come out to see her play.
    Jones is clearly amused by her own stardom. She's constantly making self-deprecating comments and laughing off cheers from her
    rapturous fans.
    After opening Thursday's show with Hank Williams' Cold Cold Heart and J.D. Loudermilk's Turn Me On, she explained to the crowd,
    "We figured we'd do two covers after Gillian Welch, because she's such a good songwriter."
    Welch is on tour with Jones, opening the shows to audiences of people who're likely to have never heard of her. She's a
    terrific country-folk singer with a luxurious pacing and an intriguing voice, but she's no star. Still, Jones cheered Welch as
    if she were her sister, and brought her out late in the show for a glorious cover of It Makes No Difference, a dreamy song by
    The Band that didn't need improving, but got it anyway.
    Jones can find new wrinkles in all kinds of old (or just old-sounding) tunes -- that's one of her biggest strengths, which is
    good, since she's not yet as accomplished of a songwriter as many of the artists she likes to cover.
    Again, I suppose I should care that she only wrote a fraction of the material she played Thursday, but it's awfully hard to get
    upset about that when you hear how naturally she swings, when you see how generously she treats her bandmates, when you notice
    how well she plays piano.
    Beyond the cover songs Thursday, Jones performed much of her gazillion-selling Come Away With Me album, and also debuted
    several tracks from her next album, a work in progress that she's reportedly dying to finish because she's a just a tiny bit
    sick of the old Come Away material.
    If the Florida Theatre show is any indication, her sophomore outing will have a little more groove to it, with tempos moving
    from a crawl to a shuffle. Although her jazzy stuff is nice, I'd also like to hear her indulge her soft spot for country music
    on the new album, as she did Thursday with a lovely acoustic treatment of Lonestar, the rare song where she stepped out from
    behind the piano to take a simple vocal turn.
    If there was a showstopper in the 20-some songs she performed in Jacksonville, though, it was The Nearness Of You, which
    happened to be the rare song where she was alone at the piano with no one else on stage.
    Seated at the keyboard and bathed in violet light, Jones came off like a lounge singer who'd hung around until well after last
    call, just playing for herself. She may be a star now, such a big star that she's getting tired of herself, but she still knows
    how to sound lost in a song. She came into the game as a romantic, and a romantic she remains.

    David Luckin
    NightFlight Host 89.9 FM NPR
    WJCT Web Producer
    100 Festival Park Ave
    Jacksonville, FL 32202
    904.358.6365