RE: downtempo in movies


Jason Mariyappan (jason.mariyappan@ic.ac.uk)
Fri, 03 Dec 1999 16:05:13 +0000



Just to stir things up a little - the place and environment has a lot to do
with the music people come up with. Good hip hop from the U.S. cannot be
made in the same way in Europe unless, which of course, happens, is just
very weakly copied. The urban experience for those into hip hop is real
different to that in the U.S., e.g. listen to the French hip hop.
        As for the downtempo shit, I lived in Bristol for 4yrs (92-96) and the
music such as Portishead, Massive Attack was definitely a product of the
particular situation and melancholic antipathy of Bristol as well as the
creative talents of the artists, which was never that influenced by London.
 Resultingly from Bristol alone I could probably name 10-20 downtempo
bands/producers that would lick any of that U.S. Check (one of the
originators of that scene the new Smith & Mighty albumn for a start.

At 10:13 03/12/99 -0500, BAO wrote:
>
>And because america is not so good at these musics, why should one feel
>like thats a reason rto not support the versions of it made in other
>countries where they originated? (i.e in reference to a previous comment)
>Europeans are buying a lot of hiphop, and
>im sure they know that US hiphop is better than most of their hiphop.
>
>On Thu, 2 Dec 1999, Moonlight wrote:
>
>> American downtempo musicians?
>> The William Coslon Experience does a very good Fila Brazillia
>> impersonation, at least from the great mp3's i've heard at their site:
>> www.americanbacon.com.
>> They sound more like Fila Brazillia than Bullitnuts or Baby Mammoth.
>> Is J Swinscoe american?
>>
>> American Jungle?
>> I like DJ SoulSlinger and 1.8.7, though YMMV. DJ Spooky. We's "sqrt(-1)."
>> Ming & FS.
>> Mocean worker is from NYC, right?
>>
>> American Techno?
>> Carl craig. Josh Wink.
>>
>> Though I will admit that american musicians in these fields are fewer and
>> further between than their European counterparts. Probably because
>> America's less into these musics and thus it's less likely for a scene to
>> blow up or for people to even get into it and create it.
>>
>> _________________________________
>> Adam Roesch / roesch@augsburg.edu
>> Augsburg College / Minneapolis / MN / USA
>>
>> http://dogbert.augsburg.edu/~roesch/pork/
>> My Fila Brazillia/Pork Recordings fan site (Updated 16/11/99)
>>
>> http://dogbert.augsburg.edu/~roesch/nt/ My Nobukazu Takemura Discog
>>
>> "And me? I got a bug to squash." B. Adamson
>>
>>
>



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