Re: Acid Jazz and Disco

From: Malcolm J. McAtee (malcolm@manlikemalcolm.net)
Date: Mon May 13 2002 - 22:36:52 CEST

  • Next message: Andy Mitchell: "Re: Oversoul 7 re-incarnation"

    I really like the West End remix thing.........Worth the money if you are
    a fan of West End. The Loose Joints track may be the best track on it though...........

    >-- Original Message --
    >From: "Tom Giles" <thomas.giles@st-annes.oxford.ac.uk>
    >To: acid-jazz@ucsd.edu
    >Date: Mon, 13 May 2002 19:27:45 +0100
    >Subject: Re: Acid Jazz and Disco
    >
    >
    >On the face of it most disco does seem to suck, but i reckon there
    >are some really really good disco tunes out there if you know what
    >they are. I have only two decent disco tunes in my collection:
    >Loose Joints 'Is it All Over My Face?' on West End Records
    >And Locksmith's 'Far Beyond' on Arista
    >
    >The latter is the tune Basement Jaxx sampled for Red Alert.
    >Basically all the Jaxx boys did was put a 909 and a vocal over it.
    >Locksmith keep the groove Jaxx took going through all the song,
    >so it is a good tune.
    >The Loose Joints 12" is something else though. Disco it may be,
    >but it has something about it which makes it sound different from
    >your stereotypical disco record. The playing is really loose, yet it
    >is really, really funky. Its got a really sweet rhodes, and grooving
    >bass & guitar, the vocal, the drums and thats about it. So it
    >sounds sparse for disco.
    >Can anyone else put me onto some more disco tunes like Loose
    >Joints? Is the rest of the stuff on West End like it? Who made it,
    >and what else did they do? Is that MAW mix of West End stuff as
    >good as its price is high?
    >
    >I'm sure that's enough questions from me now...
    >Tom
    >
    >
    >
    >On 13 May 2002, at 15:06, Wm. ERROL PACE wrote:
    >
    >From: "Wm. ERROL PACE" <wm_errol_pace@hotmail.com>
    >To: acid-jazz@ucsd.edu
    >Subject: Re: Acid Jazz and Disco
    >Date sent: Mon, 13 May 2002 15:06:44 +0000
    >
    >>
    >>
    >>
    >> >--- Eric Kitel <eric@ayalounge.com> wrote:
    >> > > Paul Berger wrote:
    >> > > > I hope acid jazz doesn't go the way of disco.
    >>
    >> I am seriously trying to comprehend any redeeming qualities associated
    >> with Disco and its culture. Unless one held a huge arse holding in
    >> the polyester industry maybe that could be one. Music-wise? I'm
    >> still trying to think of one almost redeeming quality. Every once in
    >> a while I'll see this interview on VH-1 with Niles Rodgers complaining
    >> about that baseball game in the 70's where it turned into a Death To
    >> Disco Rally. I can usually find something redeeming about almost
    >> anything but living during that era just turned me against it all.
    >> Hey wait before I flush Disco down the toilet I just thought of
    >> something redeeming about it, Louis Johnson's Bass Playing on
    >> Strawberry Letter 23. I have to say that was friggin' awesome and I
    >> have recently heard it on a T.V. Commercial. Always end on a
    >> positive.
    >>
    >> Semper Motociclismo,
    >>
    >> Pace'
    >>
    >>
    >> > >
    >> > > You mean go underground and morph into a variety of
    >> > > fresh new sounds like
    >> > > house and techno, like Disco did? I think it's
    >> > > already happened, though
    >> > > acid jazz was always underground, now it has morphed
    >> > > into NuJazz and Broken
    >> > > Beats.
    >> > >
    >> > >
    >> > >
    >> >
    >> >
    >> >__________________________________________________
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    >>
    >>
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    >
    >
    >

    http://www.big12inch.com
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